![]() | ISLANDE / ICELAND |
Recent Theatre History ICELAND updated Sat Oct 15 01:48:57 2005 |
For centuries Iceland was exclusively a rural society. Theatre, in the modern sense of the word, was therefore late to put roots in the country. Written accounts from the mid-18th century relate the dramatic games of the students at the two cathedral schools, at Hólar, and especially at Skálholt, and describe a ceremony known as "Herranótt" (Lord's Night) as well as a satirical sermon akin to the "sermon joyeux". This led to the birth of Icelandic drama with the satirical comedies of Sigurdur Petursson (1759-1827), fashioned after Moliére and Holberg. Amateur theatre groups were formed in the villages, but Reykjavík saw the first performances of the only 19th century plays to have lasting value. These were Skugga-Sveinn (1862) by Matthías Jochumsson (1835-1920), and New Year's Eve (1872) by Indridi Einarsson (1851-1939). Both playwrights were disciples of stage designer Sigurdur Gudmundsson (1833-74), the first theatre person with a conscious policy. Gudmundsson prompted writers to make use of folklore and historical motifs for their plays, so the people could be enlightened and made aware of their national identity. This ideal was linked with the struggle to preserve the Icelandic language under foreign rule. The Reykjavík Theatre Company was established in 1897, aiming to secure the growth of playwrighting and raise the standard of productions. The new company found a home in a small intimate theatre, the Idno, and remained there until 1989 when it moved into the new Reykjavík City Theatre. The first ten years of the company emphasized that theatre was a meaningful form of art and not just for amusement. The years 1907-1920, often labelled "The Icelandic period", were characterized by first productions of Icelandic plays, and the Icelandic repertoire was enriched by several playwwrights, including Johann Sigurjonsson (1880-1919) with plays such as Eyvind of the Mountains (1911) and Gudmundur Kamban (1888-1945) whose We Murderers (1920) marks the end of an era. By 1964 the RTC had a small company under long term contracts. The idea of a national theatre was suggested by Sigurdur Gudmundsson around 1860. Later Indridi Einarsson led the campaign and eventually the theatre opened in 1950. Funding was secured through a special tax, which was also intended to cover the running costs of the theatre. The National Theatre was the first fully professional theatre in the country as well as a national institution and a symbol of independence. Among the opening productions was Lárus Pálsson's adaptation of Halldor Laxness' (1902-1998) novel The Bell of Iceland, which acheived popular success and has remained central to the NT repertoire. This success may have been instrumental in the novelist's turning to playwrighting, as during the next several years he wrote four plays for the stage, a curious mix of absurdism and symbolism, satire and lyricism. During the 1970s and 1980s a number of Laxness' novels were adapted for the stage. Prompted by the wave of absurd theatre there was a renaiscance of Icelandic playwrighting after 1960, but now there was a lasting change of balance in the overall repertoire so that today between 40% and 50% of the repertoire is made up of new plays. The breakthrough came with Hard-a-Port (1962) by Jökull Jakobsson (1933-78), which ran for three successive seasons. Here was a writer with a fine ear for local, everyday speech of common people, supplemented with impressionistic lyricism and a uniquely nostalgic brand of tragi-comedy. Jakobsson wrote 20 plays and towards the end of his life it was generally expected that new Icelandic plays would draw the greatest number of spectators each season. In 1960 the independent theatre Gríma was establised, which was partial to the new wave of playwrighting. Gríma was to last until 1971 and produced the first plays by playwrights such as Oddur Björnsson (b. 1932) and Svava Jakobsdottir (b. 1930). Björnsson's early plays are absurd satires and fantasies, unabashedly theatrical one acters, including The Spider (1963) and Ten Vartiations (1968), while Jakobsdóttir's debut, What's in the Cornerstone' (1971), is a documentary drama about women's position in society. The National Theatre produced first plays by Gudmundur Steinsson (1925-1996) who came into prominence during the 1970s, Birgir Engilberts (1946-1999) and others. The National also produced most of Oddur Björnsson's subsequent plays, such as Dance Play (1974) and the monumental The 13th Crusade (1993), where the dramatic potential of Björnsson's theatricalism began to be fully realized. The National Theatre had success with new plays throughout the 1970s and 1980s, most notably in the plays of Gudmundur Steinsson, with fine productions of his biting allegorical satires of modern lifestyles, Viva Espana (1976) and A Brief Respite (1978). The theatre at this time also made forays into the international scene with productions seen at important festival such as BITEF and Avignon. Meanwhile the RTC established Kjartan Ragnarsson as well as Birgir Sigurdsson (b. 1937), whose realistic plays, including A Day of Hope (1987), are essentially a critique of values. The National Theatre gradually seemed to lose the knack for effectively producing new work, with the exception of plays by the prolific Ólafur Haukur Simonarsson (b. 1947). During 1990s, The National Theatre again seemed destined to take the lead in developing new work, but by 2000 the presentation of new work by the NT is incidental and classical works and adaptations have prominence. In 1969 The Theatre Workshop emerged, creating two productions before disbanding in 1971, where the writer had been all but disposed of. These productions broke new ground in stressing the importance of the actor's means of expression through body and voice, over the writer's craft, and by a probing return to myth and folklore motifs, the traditional sources of Icelandic theatre. The Theatre Workshop thus signified a return to basics, imaginatively making use of the ideal of a "poor theatre". Individuals from this "Workshop-nucleus" established The Peoples' Theatre in 1976, which began as a radical left-wing touring theatre aiming at a working class audience and included playwright Bödvar Gudmundsson (b. 1939), whose epic political allegory Blind Man's Buff (1977) played in a style reminiscient of commedia dell'arte complete with half masks was an outstanding success. Despite great energy and dedication to their ideals The Peoples' Theatre was soon faced with severe financial difficulties. Consequently the theatre was reestablished in Reykjavík in 1978, where there was an easier access to audiences. The Peoples' Theatre closed down in 1993. The short-lived Little Theatre Company, loosely connected to the RTC, emerged in 1968 and stressed group efforts at creating drama. Among their productions was Óli the Rock Musical (1971), an anarchistic look at modern society and its conditioning of the individual. Several actor-playwrights emerged from this group, most notably Kjartan Ragnarsson (b. 1945), a leading playwright during the 1970s and 1980s, who directs his own plays and adaptations. The 1970s produced further examples of theatre created by ensembles, often aimed at special audiences and played in schools, factories, etc. The notable production in this vein came from The National Theatre with Inuk (1974), created from anthropological concerns with the fate of primitive societies of hunters and aimed at primary schools. The production eventually became a favourite at numerous theatre festivals and was seen in 19 countries. The most significant development of the 1980s was the profusion of new theatre groups and a new scenography, which may even be called a revolution. Designers are now far more involved on all levels of the concept of a production than ever before. New materials have been brought in and anything is permissable in order to underline a feature, theme or nature of a work of theatre. This has helped bring out and stress a variety of acting styles that may sometimes even be heightened and productions can even be said to be conceptual rather than realistic. Among the new theatre groups of the 1980s were Fru Emilia Theatre, led by Gudjon P. Pedersen (b. 1957), and The Egg Theatre, which was originally a one man theatre established in 1981 by actor Vidar Egggertsson (b. 1954) intent on exploring the true nature of the relationship between actor and audience. The Egg Theatre since produced further one man shows as well as new plays experimenting with the nature of dramatic form, most significantly Árni Ibsen's (b. 1948) The Turtle Gets There Too (1984). He has since written several successful plays, including the acclaimed Heaven, a Schizophrenic Comedy (1995). Playwrights who emerged during the 1990s include Hrafnhildur Hagalin (b. 1965) and Thorvaldur Thorsteinsson (b. 1962). The most important new independent theatres of the 1990s were The Hafnarfjördur Theatre and The Möguleikhusid Children's Theatre, both of which only produce specially commissioned work from contemporary playwrights and continue doing so. Another 1990s phenomenon is the rapid rise and fall of a 'new theatrical giant', The Icelandic Theatre, which made a name for itself by highly successful musical productions and aimed at securing funding through the private sector. Failing this, the theatre was declared bankrupt in 2002. The latest independent theatre is Vesturport, established by young actors in 2002. In the last quarter of the nineteenth century theatre became the most popular form of entertainment in Iceland. At that time there was very little else by way of amusement, but theatre has retained this status to this day. Although attendance dropped significantly with the advent of television in 1966 and 67, the number of spectators attending all the theatres still today outnumbers the number of inhabitants in the country. The National Theatre, The Reykjavík Theatre Company, The Akureyri Theatre Company, The Icelandic Opera, The Icelandic Dance Company and several independent theatres such as The Hafnarfjördur Theatre and the Möguleikusid Children's Theatre all receive subsidy from official sources, either the state or town councils. |
National Representatives of Theatre INGOs ICELAND updated Sat Oct 15 01:48:57 2005 |
| ASSITEJ Á ÍSLANDI/ASSITEJ IN ICELAND, c/o Pétur Eggerz, Laugavegur 105, Reykjavík 105, Tel: 562 2699, Fax: 562 2699, Email: ml@islandia.is |
| UNIMA Á ÍSLANDI/UNIMA ICELAND, c/o Erna Guðmarsdóttir, Fossagata 4, Reykjavík 101, Tel: 552 1531, Contact: BANDALAG ÍSLENSKRA LEIKFÉLAGA/THE ASSOCIATION OF AMATEUR COMPANIE Laugavegur 96, II.h., Reykjavík 101, Tel: 551 6974 and 562 2944, Fax: 562 2984, Email: bil@tv.is |
(Ministères, organismes publics, associations professionnelles) Main organisations concerned with theatre (Ministries, organizations, unions, professional associations) ICELAND updated Sat Oct 15 01:48:57 2005 |
| BANDALAG ÍSLENSKRA LISTAMANNA/THE ASSOCIATION OF ICELANDIC ARTISTS, Laugavegi 24, Reykjavík 101, Tel: 552 2620, Email: bil@mmedia.is |
| BANDALAG SJÁLFSTÆÐRA LEIKHÚSA/THE FEDERATION OF THE INDEPENDENT THEATRES IN ICELAND, c/o Felix Bergsson, Vesturgata 44, Reykjavík 101, Email: felixbergsson@hotmail.com |
| FÉLAG ÍSLENSKRA LEIKARA/THE ASSOCIATION OF ICELANDICS ACTOR, Lindargötu 6, Reykjavík 101, Tel: 552 6040, Fax: 562 7706, Email: office@actors-union.is, Website: http://www.actors-union.is |
| FÉLAG ÍSLENSKRA LISTDANSARA/THE ASSOCIATION OF ICELANDIC DANCERS, Engjateigur 1, Reykjavík 105, Tel: 588 9188, Fax: 588 9197 |
| FÉLAG LEIKSTJÓRA Á ÍSLANDI/THE ASSOCIATION OF ICELANDIC DIRECTORS, Lindargata 6, Reykjavík 101, Tel: 552 1025, Fax: 562 7706, Email: leikstjorar@simnet.is |
| LEIKLISTARRÁÐ ÍSLANDS/THE ICELANDIC THEATRE COUNCIL, Lindargata 6, Reykjavík 101, Tel: 552 6040, Fax: 562 7706 |
| LEIKSKÁLDAFÉLAG ÍSLANDS/ICELANDIC PLAYWRIGHTS ASSOCIATION, Gunnarshús, Dyngjuvegur 8, Tel: 555 3991, Email: rsi@rsi.is and aibsen@centrum.is, Website: http://leikskald.is |
| MENNTAMÁLARÁÐUNEYTIÐ/THE ICELANDIC MINISTRY OF CULTURE, Sölvhólsgata 4, Reykjavík 150, Tel: 560 9500, Fax: 562 3068, Email: postur@mrn.stjr.is |
| NORRÆNA HÚSIÐ/THE NORDIC HOUSE, v/Hringbraut, Reykjavík 101, Tel: 551 7030, Fax: 552 6476 |
| RÍKISÚTVARP - HLJÓÐVARP/THE ICELANDIC STATE BROADCASTING SERVICE, Efstaleiti 1, Reykjavík 150, Tel: 515 3000, Fax: 515 3010 |
| RÍKISÚTVARPIÐ - SJÓNVARP/THE ICELANDIC STATE BROADCASTING TV SERVICE, Efstaleiti 1, Reykjavík 150, Tel: 515 3900, Fax: 515 3988 |
Main Theatres, Operas, Ballets, Danse etc. ICELAND updated Sat Oct 15 01:48:57 2005 |
| Leikfélag Akureyrar / The Akureyri Theatre Company, Hafnarstræti 57, Akureyri 600, Tel: 462 5073, Fax: 461 1354, Email: la@leikfelag.is, Website: http://www.akureyri.ismennt.is/~la, Comments: Regional theatre |
| Leikfélag Reykjavikur/ The Reykjavik City Theatre, P.O. Box 3071, Reykjavík 123, Tel: 568 5500, Fax: 568 0383, Email: gio@borgarleikhus.is, Website: http://www.borgarleikhus.is, Comments: Regional theatre |
| ÞJÓÐLEIKHÚSIÐ/The National Theatre, Lindargata 7, Reykjavík 121, Tel: 585 1200, Fax: 585 1201, Email: nat@theatre.is, Website: http://www.leikhusid.is, Comments: National theatre |
| Rstablished Theatres/Dance companies/Operas |
| HERMÓÐUR OG HÁÐVÖR/Hafnarfjordur Theatre, Vesturgata 11, Hafnarfjörður 220, Tel: 555 2222, Fax: 565 1471, Email: gunnihel@centrum.is |
| ÍSLENSKI DANSFLOKKURINN/The Icelandic Dance Company, Borgarleikhúsið, P.O Box 3067, Reykjavík 123, Tel: 588 0900, Fax: 588 0910, Email: id@id.is, Website: http://www.id.is |
| ÍSLENSKA ÓPERAN/The Icelandic Opera, Ingólfsstræti, Reykjavík 101, Tel: 552 7033, Fax: 552 7384, Email: opera@opera.is |
| KAFFILEIKHÚSIÐ/The Coffee Theatre, Hlaðvarpinn Vesturgata 3b, P.O. Box 1280, Reykjavík 121, Tel: 551 9030, Fax: 551 9043, Email: kaffileik@isholf.is |
| KERÚB (Actors Studio), c/o Brynja Benediktsdóttir, Laufásvegur 22, Reykjavík 101, Tel: 552 5198, Fax: 552 5198, Email: kerub@simnet.is |
| MÖGULEIKHÚSIÐ/The Theatre of possibilities, Laugavegur 105, Reykjavík 105, Tel: 562 2669, Fax: 562 2669, Email: ml@islandia.is |
| VESTURPORT/Westport, c/o Sigurður Kaiser, P.O. Box 634, Reykjavík 101, Tel: 696 2560, Email: email@siggikaiser.com |
| Other theatre companies |
| Á SENUNNI/On the Scene, c/o Felix Bergsson, Vesturgata 44, Reykjavík 101, Tel: 551 3988, Email: senan@on-the-scene.net, Website: http://www.on-the-scene.net |
| ALHEIMSLEIKHÚSIÐ/The Universal Theatre Group, c/o Hlín Agnarsdóttir, Bergstaðastræti 50, Reykjavík 101, Tel: 551 3652, Email: hag@mmedia.is |
| ANNAÐ SVIÐ/ The Other Stage Theatre, c/o María Ellingsen, Vesturgötu 37, Reykjavík 101, Tel: 562 9589, Email: mariaellingsen@islandia.is |
| AUGNABLIK/ A Moment, c/o Harpa Arnardóttir, Spítalastígur 4, Reykjavík 101, Tel: 552 1163 |
| BANDAMENN/Bandamenn Theatre Group, c/o Þórunn Magnea Magnúsdóttir, Hverfisgata 37, Reykjavík 101, Tel: 551 4032, Email: sveinn.einarsson@mrn.stjr.is |
| BRÚÐUBÍLLINN/The Puppets' Car, c/o Helga Steffensen, Blönduhlíð 10, Reykjavík 101, Tel: 552 5098 |
| DANSLEIKHÚS MEÐ EKKA/ Ekka Dance Theatre Company, c/o Guðrún Ösp Pétursdóttir, Hátún 41, Reykjavík 105, Tel: 868 5813, Email: dansekka@hotmail.com |
| DRAUMASMIÐJAN/Dream Factory, c/o Gunnar Gunnsteinsson, P.O. Box 7074, Reykjavík 127, Tel: 552 5514, Email: draumasmidjan@isl.is |
| EGG-LEIKHÚSIÐ/The Egg Theatre, c/o Viðar Eggertsson, Þingholtsstræti 24, Reykjavík 101, Tel: 562 2688, Email: vidaregg@islandia.is |
| EIN LEIKHÚSIÐ/ The Solo Theatre, c/o Sigrún Sól Ólafsdóttir, Brekkuhvarf 12, Kópavogur 203, Tel: 899 6750, Email: sol@mmedia.is |
| EVRÓPA/EUROPE, c/o Gísli Örn Garðarsson, P.O Box 634, Reykjavík 121, Tel: 561 2150, Email: gisli@nightandday.is |
| FERÐALEIKHÚSIÐ/The Summer Theatre, Baldursgata 37, Reykjavík 101, Tel: 551 91 81, Fax: 551 5015, Comments: English Speeking Theatre Company |
| FLJÚGANDI FISKAR/, c/o Þórey Sigþórsdóttir, Stigahlíð 2, Reykjavík 105, Tel: 699 1988, Email: thorey@tal.is |
| FRÚ EMILÍA, c/o Guðjón Pedersen, Suðurgata 4, Reykjavík 101, Email: pedersen@ismennt.is |
| FRÆÐSLULEIKHÚSIÐ, c/o Edda Björgvinsdóttir, Bergstaðastræti 28, Reykjavík 101, Tel: 699 8806, Email: eddabjo@mmedia.is |
| FURÐULEIKHÚSIÐ/Wonder Theatre, c/o Ólöf Sverrisdóttir, Hraunteigur 12, Reykjavík 105, Tel: 863 0350, Email: furduleik@visir.is |
| GARÐALEIKHÚSIÐ, c/o Þórir Steingrímsson, Hraunbraut 22, Kópavogur 200, Tel: 899 0225, Email: thorirst@isholf.is |
| HVUNNDAGSLEIKHÚSIÐ/The Everyday Theatre, c/o Inga Bjarnason, Klapparstígur 26, Reykjavík 101, Tel: 552 3132 |
| THE ICELANDIC TAKE AWAY THEATRE, c/o Ágústa Skúladóttir, Fljótaseli 30, Reykjavík 109, Tel: 868 6774, Email: icelandictakeawaytheatre@hotmail.com |
| ÍSLENSKA LEIKHÚSIÐ/Theatre Iceland, c/o Þórarinn Eyfjörð, Laugateigur 9, Reykjavík 105, Tel: 893 9879, Email: stageart@centrum.is |
| LAB LOKI, c/o Rúnar Guðbrandsson, Kárastígur 4, Reykjavík 101, Email: labloki@mmedia.is |
| LEIKBRÚÐULAND/The land of Puppets, c/o Helga Steffensen, Blönduhlíð 10, Reykjavík 105, Tel: 552 5098, Email: hsteff@mmedia.is |
| LEIKHÚSIÐ Í KIRKJUNNI/The Theatre in the church, c/o Guðrún Ásmundsdóttir, Grandavegi 36, Reykjavík 107, Tel: 551 4715, Email: birgirm@islandia.is |
| LEYNILEIKHÚSIÐ, c/o Agnar Jón Egilsson, Laugavegur 40a, Reykjavík 101, Tel: 896 0397, Email: agnarjon@mail.mi.is |
| MENÚR, c/o Helga Vala Helgadóttir, Meistaravellir 12, Reykjavík 107, Tel: 899 7739, Email: helgavala@hotmail.com |
| ÓLÖF DANSKOMPANÍ, c/o Ólöf Ingólfsdóttir, Grundarstígur 12, Reykjavík 101, Tel: 551 6140, Email: olof.i@li.is |
| NORÐURÓP/ Northop, c/o Jóhann Smári Sævarsson, Vallengi 6, Reykjavík Tel: 568 2058 |
| PARS PRO TOTO, c/o Lára Stefánsdóttir, Hagamelur 29, Reykjavík 107, Tel: 561 1581, Email: gf@ismennt.is |
| PÓBÓL, c/o Ástrós Gunnarsdóttir, Sólvallagötu 64, Reykjavík 101, Tel: 552 3626, Fax: astros@simnet.is |
| REGÍNA/Regina Theatre, c/o Gunnar Sigurðsson, Hólmgarður 2, Reykjavík 108, Tel: 897 7694, Fax: gus@mmedia.is |
| REYKJAVÍKURLEIKHÚSIÐ/The Reykjavik Theatre, c/o Sigríður Margrét Guðmundsdóttir, Hringbraut 53, Reykjavík 107, Tel: 562 0266, Email: hringbraut@islandia.is |
| SJÓNLEIKHÚSIÐ/Stage Theatre tel:, c/o Stefán Sturla, Drápuhlíð 41, Reykjavík 105, Tel: 552 5052, Email: gjorningar@vortex.is |
| SJÓNLEIKUR/Visual Entertainment, c/o Vilhjálmur Hjálmarsson, Óðinsgata 12, Reykjavík 101, Tel: 897 6395, Email: vh@camson.is |
| SKJALLBANDALAGIÐ, c/o María Reyndal, Veghúsastígur 9, Reykjavík 101, Tel: 863 0083, Email: maria@isl.is |
| SOKIO-LEIKHÚSIÐ/Sokio Theatre, c/o Aino Freyja Jãrvalã, Bergstaðastræti 51, Reykjavík 101, Tel: 861 7269 |
| STOPP LEIKHÓPURINN/The Stop-Theatre Group, c/o Eggert Kaaber, Álftamýri 56, Reykjavík 108, Tel: 555 3772 et 898 7205, Email: eggert@centrum.is |
| STRENGJALEIKHÚSIÐ/Theatre of strings, c/o Messíana Tómasdóttir, Vesturströnd 2, Seltjarnarnes 170, Tel: 551 8959, Email: messiana@centrum.is |
| STRINDBERGHÓPURINN/The Strindberg Group, c/o Jón Viðar Jónsson, Boðagrandi 7, Reykjavík 107, Tel: 863 6437 |
| STUDIO LIST ' LEIKFÉLAG/Studio Art - Theatre, c/o Hrefna Hallgrímsdóttir, Sörlaskjól 76, Reykjavík 107, Tel: 554 3037 |
| SVÖLULEIKHÚSIÐ/The Swallow Theatre, c/o Auður Bjarnadóttir, Hagamelur 33, Reykjavík 107, Tel: 551 9606 |
| SÖGN EHF, c/o Baltasar Kormákur, Miðstræti 7, Reykjavík 101, Tel: 891 6070, Email: blueeyes@blueeyes.is |
| SÖGUSVUNTAN/The Pocket Theatre, c/o Hallveig Thorlacius, Kleifarvegur 6, Reykjavík 104, Tel: 581 3695, Email: arnalds@thorlacius.com |
| TÍU FINGUR/The Ten Fingers Theatre, c/o Helga Arnalds, Kaldasel 3, Reykjavík 109, Tel: 895 3020, Email: hekla@mmedia.is |
| UNDRALAND-LEIKFÉLAG/ Wonderland Theatre company, c/o Helena Stefánsdóttir, Þórsgata 14, Reykjavík 101, Tel: 862 7094, Email: helenas@mi.is |
| VIGMA, c/o Vigdís Jakobsdóttir, Holtsgata 31, Reykjavík 101, Tel: 694 9094, Email: vaff@centrum.is |
| VIRAGO, c/o Bergljót Arnalds, Skerplugata 3, Reykjavík 101, Tel: 552 3845 |
| ZARAÞÚSTRA, c/o Ragnheiður Elín Gunnarsdóttir, Kelduland 3, Reykjavík 108, Tel: 694 2024, Email: regina24@li.is |
| ÞÍBYLJA, c/o Þór Tulinius, Brávallagata 4, Reykjavík 101, Tel: 561 3777 |
Main performing arts festivals ICELAND updated Sat Oct 15 01:48:57 2005 |
| LISTAHÁTÍÐ Í REYKJAVÍK/The Reykjavik Art Festival, P.O. Box 88, Reykjavík 121, Tel: 561 2444, Fax: 562 2350, Email: artfest@isholf.is, Website: http://www.artfest.is |
Main performing arts schools & university theatre departments ICELAND updated Sat Oct 15 01:48:57 2005 |
| LISTAHÁSKÓLI ÍSLANDS LEIKLISTARDEILD/Iceland Academy of the Arts (Department of Drama), Sölvhólsgata 13, Reykjavík 101, Tel: 552 5020, Fax: 561 6314, Email: lhi@lhi.is |
| LISTDANSSKÓLI ÍSLANDS/ The Icelandic ballet School, Engjateigur 1, Reykjavík 105, Tel: 588 9188, Fax: 588 9197 |
Main performing arts magazines ICELAND updated Sat Oct 15 01:48:57 2005 |
| LEIKHÚSMÁL/matters of Theatre, Lindargata 6, Reykjavík 101, Tel: 552 6040, Fax: 562 7706, Email: leikarar@itn.is |
| LEIKLISTARBLAÐIÐ Bandalag íslenskra leikfélaga, Laugarvegur 96, II.h., Reykjavík 101, Tel: 562 2944, Fax: 562 2984, Email: bil@tv.is |
| ÓPERUBLAÐIÐ/ The Opera Magazine Íslenska óperan, Ingólfsstræti, Reykjavík 101, Tel: 552 7033, Fax: 552 7384, Email: opera@opera.is |
| THEATRE IN ICELAND, Lindargata 6, Reykjavík 101, Tel: 552 6040, Fax: 562 7706 |
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